Programm

Screaming Females (Punk / Rock, US) + Support: Clear History (Post-Punk, Berlin)

"Marissa Paternoster is one of the best guitar players alive.”
-Kathleen Hanna

Once you start looking for them, you’ll see desire paths everywhere. In parks and driveways, parking lots and apartment complexes, in front of corner stores, libraries, schools and offices.

“Maybe there was one in your neighborhood growing up, a corner where everyone decided it took too long to go around, so they made their own pathway to cut through,” says Marissa Paternoster, singer and guitarist of Screaming Females. “There’s this cool unsaid group consciousness that comes together where everyone decides, this is the right way to go.”

Now a band for half the lifetime of its members, Screaming Females have long been pounding out their own desire path. Formed in 2005 in New Brunswick, NJ, the trio has consistently created a hearty, surprising mix of indie-, alt-, punk- and stoner-rock, all with their original line-up of Paternoster, “King Mike” Mike Abbate (bass) and Jarrett Dougherty (drums).

Released on February 17th by Don Giovanni Records, Desire Pathway was recorded at Minnesota’s Pachyderm Studios (where Nirvana recorded In Utero) and produced by Matt Bayles (Foxing, Pearl Jam, Mastodon, et al). Bright and full, the album captures the band at a time when nothing was certain other than their abiding desire to make music together.

Desire Pathway opens with the Sabbathy hypnotism of “Brass Bell.” Following a swelling haze of synth, feedback shrieks, martial snares advance, and the band explodes into a bracing groove. Soon, Paternoster makes the cryptic announcement: “I have flown us to the moon,” and we’re off. The song has the effect of clearing one haze and replacing it with another, much heavier one.

Compared with their previous record (2018’s expansive All at Once), Desire Pathway feels refreshed and direct. “Beyond the Void” may gather gloomily, but it quickly releases into its jangly, memorable chorus. Single “Mourning Dove” successfully channels the Pixies into a tight, driving power-pop song that passionately declares “my love for you is too strong to hide.”

Now 18 years and eight albums in, Screaming Females are still making their own path in the world, still touring DIY and releasing music without compromise. The route might cut a little off the main road, but you’ll quickly see there’s a reason they’re on it. You just might like where it leads you.

https://screamingfemales.bandcamp.com/
https://www.facebook.com/screamingfemales

Clear History are a scorching post-punk trio from Berlin who make a big deal out of little things, sometimes vice versa. Their influences include correct grammar, Rihanna & ‘The Waiting Room’ by Fugazi. They make muscular songs about intimacy whilst dreaming of an extravagant breakfast the day after the rapture. What will the dance floors look like over there? What music will ring true and make the people move? Clear History are giving this their full attention!

Clear History’s debut EP is entitled 'bad advice good people' and was released by Upset The Rhythm on November 5th 2021. The six songs here cast a huge net across themes of raucous opposition, identity, closeness, gifting and exploding cars. They are a full-hearted call to arms from a stubborn Aries concerned with wasting time and energy. With such rapport for the touchstones of danceable post-punk (ESG, Kleenex, Gang of Four) Clear History are proud hi-hat botherers, bounding along with the plummy bassline, joining the dots whilst thinking to the beat. This debut documents the tantalising first sparks from a band intent on holding up a magnifying glass to the sun.

https://www.youtube.com/watch?v=r4nS9E4nRQQ
https://clearhistoryband.bandcamp.com

Präsentiert von Visions und ByteFM.